Third Space Wonderland and the End of the Modern: Representation of Tokyo in the Works of Murakami Haruki
نویسنده
چکیده
Chiaki Takagi examines modern Japan’s cultural formation from a new theoretical perspective by applying postcolonial theories to modern Japan. The author’s goal is to rethink Japan’s modernity, including its long-lasting ―sengo‖ 戦後 (postwar) period, by examining the works of Murakami Haruki 村上春樹. His works suggest that postwar Japanese society has been informed by a peculiar version of colonization. Takagi calls the application of postcolonial theories to Japanese society the ―Japanization‖ of the postcolonial as well as of the postmodern.
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